Heather Keith, Opera for All Teaching Artist
The time right before spring break is always really exciting
in our Opera for All schools. This is usually when we start getting into
staging our operas. There are so many
teachable moments in staging a show that are inherent in the process, but this
year we wanted the students to be in the director’s chair more than ever
before. This took shape in different ways depending on the class
dynamic.
At a few schools we
let the children build a scene, by deciding where there characters fit in a
larger tableau. I found this worked particularly well in large group scenes.
This also gave us the opportunity to concentrate specifically on acting in
different body levels. At some schools
like Chase, We decided to let the students have more of a say in specific hand
gestures and line readings, this way they have even more ownership of the text
and are able to dig deeper into more nuanced acting. I was surprised how many
of the students have a natural gift for comedic timing, something that I’ve seen
the most talented actors struggle with. I’m very excited to see what ideas stick with
the students in this process.
(McAulliffe Students finding their place in a tableau
(McAuliffe student waiting for his entrance)
At Hanson Park, since this is the first time many of the
students have been in any sort of play we are concentrating on filling a
proscenium stage. The first day of staging went incredibly well, so I know we
will be able to layer in more complicated details once we finish the barebones
blocking.
(Reilly students "clumping" together in a large group scene)
One of the things that really impresses me about directing
young people is how they are able to be complete sponges. When you find that
hook to get their attention, they are suddenly all in and it’s amazing what
they can accomplish. I’m beyond thrilled to be able to create art with these
students and I hope that the shows only get better with every rehearsal.
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